Proto-Elamite statuette of a “horned deity.” Credit: Camocon, via Wikimedia Commons.
How did today’s culture develop its images of the Nephilim (called “Sunder” in my fiction series The Cursed Ground), that is, the race of super-human “mighty ones” referred to in the Bible account at Genesis 6:4? Some Bible accounts, such as the King James Version, call these creatures “giants.” In my stories, they appear as giants, but only in the sense of larger-than-normal hybrid offspring of angelic “sages” with human women.
Echoes of these characters appear in human stories and legends, particularly in Greek myths, which often feature giant half-gods with violent natures. I’m interested in these mythological images, especially as they relate to the historical-fiction tales I’m writing.
One such image came to my attention during a recent tour at the Metropolitan Museum of Art in New York City. The tour guide for Oasis Group Tours stopped briefly at a small statuette in the Met’s “Gallery 402 – The Rise of Civilization: The Ancient Near East ca. 8000–3000 B.C.” The statuette he showed us is similar to the one pictured here, but I’m not sure whether it is actually the same figurine.
The Met’s profile of this exhibit calls it a “Striding figure with ibex horns, a raptor skin draped around the shoulders, and upturned boots.” The Met identifies the figurine as Proto-Elamite, and the detail that our tour guide pointed out is that the copper-alloy sculpture is dated to about 3000 BCE. If the museum’s dating of this object is correct, he said, that would place it before the time of the great deluge of Noah’s day, which occurred in 2370 BCE, according to the Bible’s internal chronology.
That makes the connection to the Nephilim, because the Met’s description identifies the figure as a deity or hero:
This solid-cast sculpture is one of a pair of nearly identical images of a hero or a demon wearing the upturned boots associated with highland regions, his power enhanced by the mighty horns of the ibex on his head and the body and wings of a bird of prey draped around his shoulders.
If the sculpture was created before the Flood, then it was fashioned by an artist who could have known first-hand what the Nephilim and their materialized-angel fathers looked like. That would fit with the enhanced musculature of this figure and other characteristics mentioned in the description:
… the triple belt and beard that define divine beings and royalty … [the] blending of human and animal forms to visualize the supernatural world and perhaps to express shamanistic beliefs …
The Elamites are identified as Semitic in the Bible account at Genesis 10:22, but they could have become mixed in with descendants of Japheth, who were known for their mythological depictions of “mighty ones.”
I intend to post more articles about legends, historical accounts, and other depictions that could related to the pre-flood world, but I thought this image was particularly striking and noteworthy. Some related articles I’ve written include:
- Nephilim: Good Guys, Bad Guys? Humans, Something Else?
- In Search of Manu: Is the Name of Noah Widely Preserved in Human Languages?
- Ovid’s Account of the Deluge From Indo-European Mythology
ARK — 22 May 2015
A. Roy King 
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