I ran across the following passage from Kurt Vonnegut’s Palm Sunday: An Autobiographical Collage (1999), a passage which in turn is from a letter Vonnegut wrote to someone who objected to one of his novels:
If you were to bother to read my books, to behave as educated persons would, you would learn that they are not sexy, and do not argue in favor of wildness of any kind. They beg that people be kinder and more responsible than they often are. It is true that some of the characters speak coarsely. That is because people speak coarsely in real life. Especially soldiers and hardworking men speak coarsely, and even our most sheltered children know that. And we all know, too, that those words really don’t damage children much. They didn’t damage us when we were young. It was evil deeds and lying that hurt us.
I see some good reasoning here. Recently, someone took offense because a racist character in one of my stories used a racial slur. I was puzzled as to what else I could have done, as the scene in question took place among a group of young white boys in the southern U.S. in the mid-1960s, and there is no doubt that a racist teenager would have used a racial slur, however reprehensible that might have been.
For me as a writer, though, the issue of profanity presents a dilemma — I mean profanity that relates to sex and other bodily functions. I want my stories to be believable, but I don’t use profanity in my daily life (well, ‘hardly ever,’ as the Captain of the Pinafore might say) and neither do my Christian friends or family members. I don’t wish to influence anyone else to use profanity and I don’t wish to be influenced to use profanity by the content I consume. So for the most part, I prefer to use strategies that allow me to write fictional accounts that don’t (or hardly ever) involve profanity.
As far as what I read, I have read Vonnegut in the past, as well as many other popular and literary authors. I read fiction every day and love it. I have frequently abandoned a novel because of the profanity of the narrator or a character. On the other hand, I have sometimes tolerated a certain level of coarse language in order to benefit from an otherwise excellent piece of fiction.
ARK — 22 September 2013
A. Roy King 